2010 Winter OLYMPICS Opening Ceremony...The Four Nations welcoming the World
In the prophetic words of former olympic champion Nancy Greene, after watching the inspiring, Opening Ceremony:
"It will change Canada!"
The symbolic shape formed by the Native Dancers, corresponds to the KEY used to open STARGATES...is it just a coincidence? I think not.
(The inserts are pictures of Leonardo Da Vinci.)
Restoration of the MONA LISA.
I was never really sure why, but in the past I took the time to digitally restore several of Leonardo Da Vinci's paintings.
It has been said that Da Vinci carried his painting of the Mona Lisa with him wherever he traveled (as shown in the Cinderella-movie: EVER AFTER). He even had his Mona Lisa painting with him on his death-bed.
There's a secret love-story here, I think. To understand just what that secret may have been, take a look at the painting below of the LAST SUPPER. Mona Lisa and Mary Magdalene are the same person. One wonders then, if Da Vinci and Jesus were also the same person?
The real secret behind the Mona Lisa smile.
Leonardo Da Vinci (purportedly a high-degree Mason), suggests that Mary Magdalene was with Jesus at the last supper. See the movie: THE DA VINCI CODE.
I've been painting pictures of my Angel all my life. Note the similarity of my Angel paintings to Da Vinci's painting of Mary Magdalene at the Last Supper.
Digital restoration of Leonardo Da Vinci's painting: SALVATOR MUNDI - SAVIOR OF THE WORLD
(If it is ever auctioned, experts expect it to sell for about $200 million, the most expensive painting ever sold.)
It has been claimed that Da Vinci used himself as the model for his painting of Christ.
It has also been claimed that he produced the Shroud Of Turin (again using himself as the model).
More support for the idea that he was Christ in a previous life.
Note the three stars reflected in the crystal sphere in Christ's hand, a three-dimensional representation of the triangle-in-a-circle,
the standard symbol for the Trinity.
ANGELS in the sky over Bethel (near Picton, Ontario, Canada), giving a STARGATE demonstration.
Note the con-trails they were leaving behind them. Just a few moments earlier the two edges of the space-warp shaft formed. This sky-vision corresponds to the dream-vision that Jacob had at ancient Bethel, (the vision of the ladder/worm-hole that was set up on the earth and extended to heaven, and had angels ascending and descending on it.)
CHRIST, the SON OF GOD, with the Alpha and Omega eyes, wearing the crown of thorns. The being who created the universe, and whose image is inscribed upon the very fabric of time and space.
This picture is from the eternal, universal, mathematical AKASHIC RECORDS. Note that the x-axis in this picture (the time-axis), has been compressed three-and-a-half times, (to bring the FACE of CHRIST into proper perspective.) Three-and-a-half-times is a quantity which is often mentioned in the Bible relating to the end times, when CHRIST shall bring the OMEGAS/Humans and the ALPHAS/Auras together, via the stargates/wormholes, for their union with God at the MU/Moon Temple.
The oft-prophesied three-and-a-half-year period of global turmoil, preceding Christ's return, began on September 30, 2008 (the date when the Bethel stargate/wormhole first opened). The conclusion of this difficult period will come in 2012, which coincides with the end-date of the current Age, according to the ancient Mayan calendar.
Location of the Bethel stargate.
The Mayan calendar began in 3113 B.C. The number 31 represents the light-emitting ALPHA force, and the number 13 represents the light-absorbing OMEGA force; together, as 3113, they represent CHRIST and his stargate-opening KEYS.
The Bethel PILLAR, satellite map.
View down the Bethel Pillar, during a late December thaw.
Photo of the Bethel STARGATE/WORMHOLE that links the Earth and the Omega crater (Ukert crater) on the Moon.
The inserts are photos of other stargates/wormholes, from the movie STARGATE SG-1 (center), and from inside a moonrock-meteorite (lower left).
STARGATE PERFUME
The lunar TREE of LIFE...where the tri-union of HUMAN LIFE, with GOD'S LOVE, and AURA LIGHT produces Children of God, who have ETERNAL LIFE.
At the center of the Moon there is a curious 'APPLE TREE' structure, and on it are two 'APPLES', two mysterious craters that have TRIANGULAR centers, (these TRIANGLES are only visible during the FULL MOON, when they can be seen from both the Earth and the Sun.)
These TRIANGLES correspond to the OMEGA and ALPHA eyes of CHRIST, the divine forces which gather the ascending HUMANS from Earth, and the descending AURAS from the Sun, for their divine wedding with GOD at the sacred Moon Temple.
During my research, I noticed that the MASON symbols of the COMPASS (60 degrees) and SQUARE (90 degrees), where one angle is 66.6...% of the other, have the same proportions as the TRIANGLES in the lunar craters. There are many MASON symbols containing a TRIANGLE in a CIRCLE, which is the symbol for the holy TRINITY.
It has been said that NASA astronaut BUZZ ALDRIN (then a 32nd degree MASON) unfurled a MASON flag and claimed the Moon for the MASONS, during the first (public) lunar landing.
(After his lunar landing, BUZZ ALDRIN was promoted to a 33rd degree MASON.)
Early Art showing a UFO with CHRIST at his birth.
(Note that the UFO just came out of a wormhole, or KEY SHAFT.)
Early Art showing a UFO with CHRIST at his baptism.
(Note that the UFO is located in a wormhole, or KEY SHAFT...look closely at the color variations in the clouds. )
(Also note the four rays coming out of the UFO...they represent the FOUR BEASTS that surround the Throne of God, the four forces that work together sequentially to produce ascending, or descending, wormholes or KEY SHAFTS. The WHITE DOVE, at the top of the shaft, preparing to descend and stay on Christ represents the baptism of the Holy Ghost.)
The DOOMSDAY DUCK
The year 2009, level-6, H1N1 global pandemic of the "TRI-FLU" (composed of a unique combination of human-bird-swine DNA) is playing a part in the 2012-end-of-the-Mayan-calendar scenario. Just what that part is, still remains to be seen, (but from the photos above, it seems obvious that the Angels have a hand in it).
King Tut's ensignia reveals much ancient knowledge about the MOON, that has somehow been forgotten.
King Tut's pectoral medallion (the middle of it), was worn by Moses in the movie "The Ten Commandments"
Natural YELLOW GLASS/OBSIDIAN in LAPIS LAZULI (the royal stone). Both of these stones were prominent in King Tut's jewelry.
A copy of King Tut's pectoral, (heart medalion).
The OBSIDIAN SPHERE (one of the 'Pearly Gates' of Heaven).
Gathering Jewels and a Robe for the upcoming Divine Weddings.
As alluded to in the biblical story of the twelve pearly gates of the city of God, there are certain jewels that act as conduits or doors in the spiritual realm. Obsidian (such as the crystal on King Tut's pectoral heart medalion) is especially effective. So are Pearl, Opal and Jade.
Trying on, and testing, some of the wedding jewels.
THE DIVINE WEDDING
A few hours after midnight on September 30, 2008, during the new Moon, I awoke from a divine dream. My heart was still glowing with the joy and love of what I had just experienced.
That wondrous dream began in a very strange way. I found myself gazing down a long, dimly-lit stretch of land. Crossing that open field was a sparse crowd of people staggering wearily along. They wore tattered clothes and were a greyish color, as if they were covered in dust, like the survivors of some great battle or natural catastrophe.
As I watched them wander ghost-like from left to right across the long field, I got the strong feeling that they were going in the wrong direction. They should be going down the long field instead of across it. I began walking in that direction through the thin crowd, wondering what had happened to these people and where they were going. As I walked between them, they seemed to hardly notice me.
Then, ahead of me, I saw a small child sitting on the ground. Her arms were wrapped around her knees and her head was bent over. Everyone else was just ignoring her. Apparently she had given up, or was unable to wander any farther. As I got closer, I saw that she was black, remarkably black, not grey like all the others. She had short, straight black hair, and I guessed she was about ten years old.
As I stood there, wondering what to do, I heard God's voice whisper inside me, "Bring her home." I didn't know exactly how I was going to do that, but I went up to her and said, "Hello." She didn't respond, so I touched her on the shoulder. She appeared to be unconscious, or in some sort of deep sleep. I reached down and gently picked her up in my arms. She wasn't very heavy and seemed somewhat frail.
As I carried her through the crowd, occasionally one of the grey people would change direction and start following us, but soon they would get diverted back with the rest of the crowd who were treading across the long field, instead of going down it, as we were.
Eventually, we got beyond the crowd, and ahead of us I saw a small hill. We climbed to the ridge, and down below, on the other side, I saw a small, crumbling, temple-like structure made of stone. We descended to the rocky ruins and found what appeared to be an altar table, with a few dust-covered, metal relics on it, that somehow seemed vaguely familiar.
Off to the left of the altar there was a shaded archway filled with a mysterious black fog. Somehow I knew that was where we were supposed to go. I carried the girl into the dark mist and walked slowly, carefully forward. I couldn't see anything, but the floor was smooth and firm, and I had the impression that we were going down some sort of tunnel.
After a short walk, the fog began to thin and we finally came out of it. Before us was a vast, crater-like valley, the center of which was filled with the same type of black fog that we had just come through. The whole place was dimly lit, like twilight, and above us the sky was also shrouded in a dim dome of mist. The whole rim of the valley was barren rock. I saw no vegetation whatsoever.
As I stood there gazing in wonder, wondering what to do now, someone suddenly came up behind me and put their arms around my neck. I wasn't startled because I knew instantly that it was my Angel.
She whispered in my mind that I must not see her yet...(something about not seeing the bride before the wedding). Then she spread out her feathery wings, partially encircling us. I could see her wingtips on both sides. We suddenly became weightless as she levitated us a few feet above the ground. Then she slowly began floating us counter-clockwise around the rim of the rocky crater.
I suppose under normal circumstances this whole experience would have been rather unsettling, but there was such a feeling of joy and love swelling in my heart that I felt no fear.
As we continued our magic flight around the fog-filled crater, we began to see small groups of Angels standing nearby, watching us as we passed. They were all dressed in glowing white garments. Some had wings showing, some didn't. There were males and females, and all were very beautiful and noble-looking, like ancient statues of gods and goddesses.
Occasionally, one of them would give me a slight nod of friendship, or recognition, as one might casually acknowledge a family member passed in a hallway. However, they were mostly interested in the young girl I was carrying. I saw several of them point to her and whisper excitedly to their companions.
The farther around the crater we traveled, the greater the divine love that was welling-up in my heart. I could sense the girl I was carrying was starting to feel it too. She was slowly awakening, and seemed to be calmly accepting what was happening.
I knew that God was somewhere beyond the mysterious fog in the crater. His love was pouring through like the living waters of the Fountain of Youth. But the ultimate vision of Him, I understood, was too much for new Angels to endure. That was what eternity was for.
When we finally finished the loop, my Angel lowered us down, and I set the girl on the ground. She was wide awake now, and able to stand on her own, but before either of us could say a word, a glowing white, triangular-shaped object resembling a dove came zooming down from the sky and hovered just above the girl's head. I recognized it immediately as one of the solar Alphas. It suddenly dawned on me that my Angel must have carried through the little Alpha with her from the Sun, just as I had carried through the little girl with me from the Earth. This must be the Moon!
Then the body of the Alpha opened up like a wide tube, and it descended over the girl. It immediately closed in around her, and completely enveloped every part of her body. I could see it even enwrapping every strand of her hair, lengthening it and turning it golden. Then the Alpha transformed itself into a radiant, sparkling gown; and the young girl transformed into an angelically beautiful young lady. Her angel wings spread out from her back, as if they were an airy extension of her gown.
She rose from the ground and hovered before me, a vision of loveliness. We gazed into each other's eyes, our hearts united in God's love. Then she smiled and said simply, "I have to go now."
"I know," I responded, feeling the irresistible desire in her heart to share God's joyous love with others.
Then she gracefully turned, and the foggy sky ahead of her dissolved, revealing a radiant blue vastness and waiting Angels. She spread her wings and soared away, into the light.
Then I awoke, my heart still brimming with God's love.
As a brief epilogue to this experience, the next night, in my dreams, a strange thing happened. Everything I touched began to dissolve. I even picked up a rigid crystal and squeezed it, and it collapsed with a crunch, like sponge-taffy, leaving my thumb-print in it.
In the days and weeks that followed, in the waking world, I discovered that if I came into contact with other people, I became ill. I assume something of my Angel rubbed off on me during our brief contact at the divine wedding. It's a fact that Alpha Angels (unwed Angels) and Omega Humans (unwed Humans) cannot safely touch unless they both have the love of God in their hearts.
The Divine Wedding ceremony that I attended, that trinity of Man, God, and Angel, is the only process that allows Humans and Angels to gloriously fulfill their common divine-destiny, uniting with each other and God, to become a stargod, a true child of God, an eternal, radiant star-being, in the beautiful, peaceful, blissful, loving Paradise of Heaven.
As a final thought, it has occurred to me that this DIVINE WEDDING is known in standard Christian terminology as THE BAPTISM OF THE HOLY GHOST.
About three weeks after this experience, while I was reading for the first time THE BOOK OF ENOCH (translation by R.H. Charles, 1917), I came across this passage: Chapter 62, verses 15 & 16...
"And the righteous and elect shall have risen from the earth,
And ceased to be of downcast countenance.
And they shall have been clothed with garments of glory,
And these shall be the garments of life from the Lord of Spirits:
And your garments shall not grow old,
Nor your glory pass away before the Lord of Spirits."
The Divine Wedding of King Tut and Ankhesenamun, recorded on King Tut's golden throne.
The name of King Tut's wife, Ankhesenamun: ANKH(key) ESENA(essence) MUN(moon), means the "Key to the Essence of the Moon" (which is the Love of God).
THE FIRST WEDDING
God's first creations were a Son and a Daughter. The Son was a Man, and the Daughter was an Angel. Thus, the holy Trinity composed of Man, God, and Angel came into being.The symbol for the Trinity is a triangle in a circle, the three in one. The peak of the triangle represents God, and the lower corners represent Man and Angel.Every wedding ceremony is a reenactment of that first creation of the divine Trinity. The priest represents God, and the man and woman represent the first Man and the first Angel. With this in mind, it is easy to see what is happening in the beautiful picture adorning king Tut's golden throne. It is a celebration of the first divine wedding. Above, in the center, is a large, radiant circle with a serpent. Anytime you see a serpent, or a cobra, with a circle above its head, that is the symbol for a stargate, an entrance to a wormhole that leads to a distant place. Stargates, when they appear in open space, look like balls of fog. They are often symbolically referred to as "pearls," because they are round and softly luminescent.In this case, the large stargate is "the pearl of great price." It is the divine stargate that leads to the Throne of God. Radiating from that stargate are rays with hands at their ends, representing all the gifts and blessings that flow from God. The two rays, that are closest to the Son and Daughter of God (King Tut and his Angel/wife Ankhesenamun), are holding golden keys (ankhs). These keys allow God's Son and Daughter entrance to the divine stargate that leads to God and his eternal throne. The keys represent the ultimate wedding gift, transforming the Man and Angel into gods, co-rulers of the universe.The large square structure on King Tut's crown, with the "twelve pearly-gates," represents the "city of God," containing the many mansions or worlds that compose the kingdom of Heaven. This shows that the Son of God is the keeper and guardian of the many worlds of Heaven. The two large feathers and sun-symbol on the crown of Ankhesenamun (Tut's wife), show that she is an Angel from the Sun. She is carrying the sacred ointment of the Angels, called karast or KRST. She is applying it to the physical body of King Tut, transforming his body to a divine body; making him "the anointed one, or Christ (KRST)," (paralleling her with Mary Magdalene, who anointed Christ; and who was the first person to see Christ in his divine, resurrected body).The union of Man and Angel elevates them both above the gravity of the physical plane. This is represented by their scarves floating upward into the air. On the wall behind them, are aligned the many stargates and wormholes leading to the various worlds of the "Galactic Empire," all standing at attention, awaiting their visit and inspection during their honeymoon-travels. On the table beside them, is the three-part gift from the "wise men" of their kingdom. The three flowers represent the "gold, frankincense, and myrrh," or the life, love, and light that grow from the holy Trinity, and bless with divine fragrance all the lands where they reign. On the side of King Tut's headdress is a delta-loop-antenna wormhole-structure that allows King Tut to hear from, and talk to, the many worlds and mansions of Heaven (like the wormhole-antenna at the Bethel Stargate.)
Amen, Amin, Amon.
Scenes from the movie WATCHMEN: The back of King Tut's throne,
showing a representation of the FOUR BEASTS/SERPENTS/STARGATES (the main arteries and veins of the Cosmic Heart), that surround the Throne of God.
A statue resembling the little black girl of the divine dream.
Here is a collage of pictures from the Cosmic Library (Akashic Records). The mathematical 'blueprints' for everything from DNA, to Unicorns, to Starships, to Stars, to Wormholes, and even People, have existed, and shall exist, forever in the Cosmic Library. Perhaps this is the meaning of the old saying: "There's nothing new under the sun."
A picture from the Cosmic Library (Akashic Records), and an actual nebula in space. Note the similarities.
Another digitally restored picture: "Our Lady of Guadalupe"
Note that she is standing on the Moon. Also note the similarity to Mona Lisa ("My Lady").
